Untuk lebih jelasnya silakan Unduh SKB tersebut disini:

UNDUH SKB PERUBAHAN CUTI BERSAMA 2007

Kenyataannya siih, jadi juga satu blog keluarga kami. Kami menyebutnya Daulica (da family of ulil  ♥ Caca). Isinya kisah kami sehari-hari. Lanjutan dari cerita saya di Maju Tak Gentar. Kalau dulu, saya cuma bisacerita sendiri. Sekarang saya eh kami bercerita berdua. Foto-foto pernikahan kami pun kami post disana.

Dengan adanya blog baru itu juga bukan berarti personal blog ini saya tinggalkan. Saya bermula dari sini. daulica tidak akan ada tanpa ulil.

Warm Regards

Ulil

Berikut adalah Daftar Istilah dalam tukar menukar Film Digital

CAM -
A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but a lot of the time this wont be possible, so the camera make shake. Also seating placement isn’t always idle, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there’s text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we’re lucky, and the theater will be fairly empty and a fairly clear signal will be heard.

TELESYNC (TS) -
A telesync is the same spec as a CAM except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled.

TELECINE (TC) -
A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment involved and cost telecines are fairly uncommon. Generally the film will be in correct aspect ratio, although 4:3 telecines have existed. A great example is the JURASSIC PARK 3 TC done last year. TC should not be confused with TimeCode , which is a visible counter on screen throughout the film.

SCREENER (SCR) -
A pre VHS tape, sent to rental stores, and various other places for promotional use. A screener is supplied on a VHS tape, and is usually in a 4:3 (full screen) a/r, although letterboxed screeners are sometimes found. The main draw back is a “ticker” (a message that scrolls past at the bottom of the screen, with the copyright and anti-copy telephone number). Also, if the tape contains any serial numbers, or any other markings that could lead to the source of the tape, these will have to be blocked, usually with a black mark over the section. This is sometimes only for a few seconds, but unfortunately on some copies this will last for the entire film, and some can be quite big. Depending on the equipment used, screener quality can range from excellent if done from a MASTER copy, to very poor if done on an old VHS recorder thru poor capture equipment on a copied tape. Most screeners are transferred to VCD, but a few attempts at SVCD have occurred, some looking better than others.

R5 Line-means
R5/TC’s

Over the past 6 months the major movie studios have been releasing retail dvds
early in Russia. They do this to stop the widespread use of pirated telecines
(which were once very common). Lately however there has been very few real
telecines, most of the scene telecines you see are actually R5 retails.
R5 retail is rushed out by the studio, they are basically competing with
bajaken, so there is little to no cleanup of the film after the telecine
process. So the main difference between telecines put out by the bajaken is
that the r5′s are done using pro equipment, professional studios and
professional people. The quality of R5 retail is very similar to dvdscr’s,
no time is usually spent cleaning up dvdscrs either.
they must use a TS or a cam English audio rip because there high quality audio would only be in a russian language.

DVD-SCREENER (DVDscr) -
Same premise as a screener, but transferred off a DVD. Usually letterbox , but without the extras that a DVD retail would contain. The ticker is not usually in the black bars, and will disrupt the viewing. If the ripper has any skill, a DVDscr should be very good. Usually transferred to SVCD or DivX/XviD.

DVDRip -
A copy of the final released DVD. If possible this is released PRE retail (for example, Star Wars episode 2) again, should be excellent quality. DVDrips are released in SVCD and DivX/XviD.

VHSRip -
Transferred off a retail VHS, mainly skating/sports videos and XXX releases.

TVRip -
TV episode that is either from Network (capped using digital cable/satellite boxes are preferable) or PRE-AIR from satellite feeds sending the program around to networks a few days earlier (do not contain “dogs” but sometimes have flickers etc) Some programs such as WWF Raw Is War contain extra parts, and the “dark matches” and camera/commentary tests are included on the rips. PDTV is capped from a digital TV PCI card, generally giving the best results, and groups tend to release in SVCD for these. VCD/SVCD/DivX/XviD rips are all supported by the TV scene.

WORKPRINT (WP) -
A workprint is a copy of the film that has not been finished. It can be missing scenes, music, and quality can range from excellent to very poor. Some WPs are very different from the final print (Men In Black is missing all the aliens, and has actors in their places) and others can contain extra scenes (Jay and Silent Bob) . WPs can be nice additions to the collection once a good quality final has been obtained.

DivX Re-Enc -
A DivX re-enc is a film that has been taken from its original VCD source, and re-encoded into a small DivX file. Most commonly found on file sharers, these are usually labeled something like Film.Name.Group(1of2) etc. Common groups are SMR and TND. These aren’t really worth downloading, unless you’re that unsure about a film u only want a 200mb copy of it. Generally avoid.

Watermarks -
A lot of films come from Asian Silvers/PDVD (see below) and these are tagged by the people responsible. Usually with a letter/initials or a little logo, generally in one of the corners. Most famous are the “Z” “A” and “Globe” watermarks.

Asian Silvers / PDVD -
These are films put out by eastern bootleggers, and these are usually bought by some groups to put out as their own. Silvers are very cheap and easily available in a lot of countries, and its easy to put out a release, which is why there are so many in the scene at the moment, mainly from smaller groups who don’t last more than a few releases. PDVDs are the same thing pressed onto a DVD. They have removable subtitles, and the quality is usually better than the silvers. These are ripped like a normal DVD, but usually released as VCD.

Formats

VCD -
VCD is an mpeg1 based format, with a constant bitrate of 1150kbit at a resolution of 352×240 (NTCS). VCDs are generally used for lower quality transfers (CAM/TS/TC/Screener(VHS)/TVrip(analogue) in order to make smaller file sizes, and fit as much on a single disc as possible. Both VCDs and SVCDs are timed in minutes, rather than MB, so when looking at an mpeg, it may appear larger than the disc capacity, and in reality u can fit 74min on a CDR74.

SVCD -
SVCD is an mpeg2 based (same as DVD) which allows variable bit-rates of up to 2500kbits at a resolution of 480×480 (NTSC) which is then decompressed into a 4:3 aspect ratio when played back. Due to the variable bit-rate, the length you can fit on a single CDR is not fixed, but generally between 35-60 Mins are the most common. To get a better SVCD encode using variable bit-rates, it is important to use multiple “passes”. this takes a lot longer, but the results are far clearer.

XVCD/XSVCD -
These are basically VCD/SVCD that don’t obey the “rules”. They are both capable of much higher resolutions and bit-rates, but it all depends on the player to whether the disc can be played. X(S)VCD are total non-standards, and are usually for home-ripping by people who don’t intend to release them.

DivX / XviD -
DivX is a format designed for multimedia platforms. It uses two codecs, one low motion, one high motion. most older films were encoded in low motion only, and they have problems with high motion too. A method known as SBC (Smart Bit-rate Control) was developed which switches codecs at the encoding stage, making a much better print. The format is Ana orphic and the bit-rate/resolution are interchangeable. Due to the higher processing power required, and the different codecs for playback, its unlikely we’ll see a DVD player capable of play DivX for quite a while, if at all. There have been players in development which are supposedly capable, but nothing has ever arisen. The majority of PROPER DivX rips (not Re-Encs) are taken from DVDs, and generally up to 2hours in good quality is possible per disc. Various codecs exist, most popular being the original Divx3.11a and the new XviD codecs.

CVD -
CVD is a combination of VCD and SVCD formats, and is generally supported by a majority of DVD players. It supports MPEG2 bit-rates of SVCD, but uses a resolution of 352×480(ntsc) as the horizontal resolution is generally less important. Currently no groups release in CVD.

DVD-R -
Is the recordable DVD solution that seems to be the most popular (out of DVD-RAM, DVD-R and DVD+R). it holds 4.7gb of data per side, and double sided discs are available, so discs can hold nearly 10gb in some circumstances. SVCD mpeg2 images must be converted before they can be burnt to DVD-R and played successfully. DVD>DVDR copies are possible, but sometimes extras/languages have to be removed to stick within the available 4.7gb.

MiniDVD -
MiniDVD/cDVD is the same format as DVD but on a standard CDR/CDRW. Because of the high resolution/bit-rates, its only possible to fit about 18-21 mins of footage per disc, and the format is only compatible with a few players.

Misc Info

Regional Coding -
This was designed to stop people buying American DVDs and watching them earlier in other countries, or for older films where world distribution is handled by different companies. A lot of players can either be hacked with a chip, or via a remote to disable this.

RCE -
RCE (Regional Coding Enhancement) was designed to overcome “Multiregion” players, but it had a lot of faults and was overcome. Very few titles are RCE encoded now, and it was very unpopular.

Macrovision -
Macrovision is the copy protection employed on most commercial DVDs. Its a system that will display lines and darken the images of copies that are made by sending the VHS signals it can’t understand. Certain DVD players (for example the Dansai 852 from Tescos) have a secret menu where you can disable the macrovision, or a “video stabaliser” costs about 30UKP from Maplin (www.maplin.co.uk)

NTSC/PAL -
NTSC and PAL are the two main standards used across the world. NTSC has a higher frame rate than pal (29fps compared to 25fps) but PAL has an increased resolution, and gives off a generally sharper picture. Playing NTSC discs on PAL systems seems a lot easier than vice-versa, which is good news for the Brits Smile An RGB enabled scart lead will play an NTSC picture in full colour on most modern tv sets, but to record this to a VHS tape, you will need to convert it to PAL50 (not PAL60 as the majority of DVD players do.) This is either achieved by an expensive converter box (in the regions of £200+) an onboard converter (such as the Dansai 852 / certain Daewoos / Samsung 709 ) or using a World Standards VCR which can record in any format.

News Sites -
There are generally 2 news sites, and I’m allowed to be biased Smile For Games/Apps/Console :: www.isonews.com is generally regarded as the best, but for VCD/SVCD/DivX/TV/XXX
Code:
www.vcdquality.com
displays screen grabs and allows feedback. **NOTICE** neither site offers movie downloads, and requesting movies/trades etc on the forums of either is NOT permitted.

Release Files

RARset -
The movies are all supplied in RAR form, whether its v2 (rar>.rxx) or v3 (part01.rar > partxx.rar) form.

BIN/CUE -
VCD and SVCD films will extract to give a BIN/CUE. Load the .CUE into notepad and make sure the first line contains only a filename, and no path information. Then load the cue into Nero/CDRWin etc and this will burn the VCD/SVCD correctly. TV rips are released as MPEG. DivX files are just the plain DivX – .AVI

NFO -
An NFO file is supplied with each movie to promote the group, and give general iNFOrmation about the release, such as format, source, size, and any notes that may be of use. They are also used to recruit members and acquire hardware for the group.

SFV -
Also supplied for each disc is an SFV file. These are mainly used on site level to check each file has been uploaded correctly, but are also handy for people downloading to check they have all the files, and the CRC is correct. A program such as pdSFV or hkSFV is required to use these files.

Format -
Usenet posts are often the same as those listed on VCDQUALiTY (i.e., untouched group releases) but you have to check the filenames and the description to make sure you get what you think you are getting. Generally releases should come down in .RAR sets. Posts will usually take more than one day to be uploaded, and can be spread out as far as a week.

PAR files -
As well as the .rxx files, you will also see files listed as .pxx/.par . These are PARITY files. Parity files are common in usenet posts, as a lot of times, there will be at least one or two damaged files on some servers. A parity file can be used to replace ANY ONE file that is missing from the rar set. The more PAR files you have, the more files you can replace. You will need a program called SMARTPAR for this.

Scene Tags

PROPER -
Due to scene rules, whoever releases the first Telesync has won that race (for example). But if the quality of that release is fairly poor, if another group has another telesync (or the same source in higher quality) then the tag PROPER is added to the folder to avoid being duped. PROPER is the most subjective tag in the scene, and a lot of people will generally argue whether the PROPER is better than the original release. A lot of groups release PROPERS just out of desperation due to losing the race. A reason for the PROPER should always be included in the NFO.

SUBBED -
In the case of a VCD, if a release is subbed, it usually means it has hard encoded subtitles burnt throughout the movie. These are generally in malaysian/chinese/thai etc, and sometimes there are two different languages, which can take up quite a large amount of the screen. SVCD supports switch able subtitles, so some DVDRips are released with switch able subs. This will be mentioned in the NFO file if included.

UNSUBBED -
When a film has had a subbed release in the past, an Unsubbed release may be released

LIMITED -
A limited movie means it has had a limited theater run, generally opening in less than 250 theaters, generally smaller films (such as art house films) are released as limited.

INTERNAL -
An internal release is done for several reasons. Classic DVD groups do a lot of .INTERNAL. releases, as they wont be dupe’d on it. Also lower quality theater rips are done INTERNAL so not to lower the reputation of the group, or due to the amount of rips done already. An INTERNAL release is available as normal on the groups affiliate sites, but they can’t be traded to other sites without request from the site ops. Some INTERNAL releases still trickle down to IRC/Newsgroups, it usually depends on the title and the popularity. Earlier in the year people referred to Centropy going “internal”. This meant the group were only releasing the movies to their members and site ops. This is in a different context to the usual definition.

STV -
Straight To Video. Was never released in theaters, and therefore a lot of sites do not allow these.

ASPECT RATIO TAGS -
These are *WS* for widescreen (letterbox) and *FS* for Fullscreen.

RECODE -
A recode is a previously released version, usually filtered through TMPGenc to remove subtitles, fix color etc. Whilst they can look better, its not looked upon highly as groups are expected to obtain their own sources.

REPACK -
If a group releases a bad rip, they will release a Repack which will fix the problems.

NUKED -
A film can be nuked for various reasons. Individual sites will nuke for breaking their rules (such as “No Telesyncs”) but if the film has something extremely wrong with it (no soundtrack for 20mins, CD2 is incorrect film/game etc) then a global nuke will occur, and people trading it across sites will lose their credits. Nuked films can still reach other sources such as p2p/usenet, but its a good idea to check why it was nuked first in case. If a group realise there is something wrong, they can request a nuke.

NUKE REASONS :: this is a list of common reasons a film can be nuked for (generally DVDRip)

** BAD A/R ** :: bad aspect ratio, ie people appear too fat/thin
** BAD IVTC ** :: bad inverse telecine. process of converting framerates was incorrect.
** INTERLACED ** :: black lines on movement as the field order is incorrect.

DUPE -
Dupe is quite simply, if something exists already, then theres no reason for it to exist again without proper reason.

“Tulisan terbalik berguna untuk menulis spoiler di forum ataupun website.”  Coba balikkan kepala kamu. Tulisan inilah yang nantinya akan terbaca. Kamu juga bisa membuatnya untuk blog pribadi kamu. Siapa tahu ada yang ingin kamu sembunyikan, atau sengaja ingin membuat pembaca pusing.

Kamu bisa membuatnya dengan klik pranala dibawah ini:

Membuat Tulisan menjadi terbalik yuuk 

Sumber: www.techdo.com Download: Javascript

Married By Akad

Sabtu, 31 Maret 2007 (12 Rabi’ul Awwal 1428 H)

GRHA WIRA BHAKTI UNIV. DHARMA PERSADA

Jln. Radin Inten II Pondok Kelapa, Jakarta Timur

==========================

“Bagai tangan kiri dan tangan kanan

Allah SWT menakdirkan kami bersama

Untuk melengkapi satu sama lain”

– Prima & Wiwit –

“Semoga Allah menghimpun yang terserak dari keduanya, memberkahi mereka berdua. Dan kiranya Allah meningkatkan kualitas keturunan mereka, menjadikannya pembuka pintu rahmat, sumber ilmu dan hikmah serta pemberi rasa aman bagi umat.”

–Doa Nabi Muhammad SAW, pada pernikahan putrinya Fatimah Azzahra dengan Ali bin Abi Thalib–

==========================

Maha Suci Allah

Yang menciftakan makhluk-Nya berpasang-pasangan, ya Allah

perkenankanlah kami menikahkan putra putri kami

Prima Resya Adnar, S.Sos

(Prima)

♥

Wiwit Nursetyanto, S.H.

(Wiwit)

Untuk mengikuti sunnah Rasul-Mu dalam membentuk keluarga yang

Sakinah, mawaddah, warahmah

Akad Nikah :

Hari Sabtu, 31 Maret 2007

Pukul 08.00 WIB

Bertempat di GRHA WIRA BHAKTI UNIV. DHARMA PERSADA

Jln. Radin Inten II Pondok Kelapa, Jakarta Timur

=========================

Jakarta, Maret 2007

ِسْمِ اللهِ الرَّحْمنِ الرَّحِيمِ

Assalamu’alaikum Warahmahtullahi Wabarakatuh

Dengan memohon Ridho dan Rahmat Allah SWT.

Kami bermaksud menyelenggarakan Resepsi Pernikahan putra-putri kami

Yang Insya Allah akan dilaksanakan pada :

Hari Sabtu, 31 Maret 2007

Pukul 11.00 S/d 13.00

Bertempat di GRHA WIRA BHAKTI UNIV. DHARMA PERSADA

Jln. Radin Inten II Pondok Kelapa, Jakarta Timur

Merupakan suatu kehormatan dan kebahagiaan bagi kami

Apabila Bapak/Ibu/Saudara/i berkenan hadir untuk memberikan do’a restu

Kepada putra-putri kami

Wassalamu’alaikum Warahmahtullahi Wabarakatuh

Kel. Sjamsul Adnar & Retno Hindarti

Kel. H. Keman Subardi & Hj. Sri Widyaningsih

Prima & Wiwit

========================

Untuk Versi Animasi Flash Klik DISINI

Untuk Versi Ppt Presentation (225 kb) Klik DISINI

Untuk Versi Pdf (168 kb) Klik DISINI

Buat anda yang penasaran, silakan saja unduh rekaman lamaran on air saya lewat acara Addicted To Love HRFM DISINI.

Dan yang ingin tahu tegangnya saya saat itu, silakan di baca cerita saya yang lalu DI SINI

Permintaan kami cukup sederhana. Kalau memang kami berjodoh. DirestuiNya untuk menyegerakan menikah. Mendapat barokah untuk menikah di bulan baik. Tolonglah kami, berikan kami kemudahan dalam beribadah kepadaMu. Ndelalah! Setelah lebih dulu menelepon dua catering service yang belum jelas keberadaannya. Bahkan gedung kosong pun kami belum terbayang dimana letaknya. Dalam perjalanan pulang menghadiri pernikahan rekan sekantor saya. Bertujuan mengantar Mi Vida pulang kembali kerumah. Tanpa sengaja kami menemukan satu rumah. Tampak biasa saja. Cuma ada papan kecil bertuliskan Rifqy Catering Service & Wedding Organizer (selanjutnya saya sebut WO) serta gebyok jawa di depan rumahnya, pertanda kalau penghuni rumah ini biasa mengatur sebuah pernikahan.

Lil, mampir kesitu bentar yuk. Saya sedang lelah, sedang berada di titik klimaks. Kaki kanan saya ingin meneruskan rencana ini. Kaki kiri saya sedang menari-nari (weee, salah kira nih yeee ). Udah lah, catet aja nomor teleponnya­-yang tercantum di papan nama di depan rumahnya-Nanti kita telepon aja! Pikiran saya yang masih kosong menyebabkan saya berkata seperti itu. Tekanan dari orang tua wanita, orang tua saya, bahkan Pasangan saya sendiri sungguh hebat efek sampingnya. Saya yang berada ditengah-tengah cuma bisa melongo. Tak ingin menyinggung siapapun, tapi juga tak ingin mengecewakan siapapun. Semua pihak benar, tapi bagaimana membuat semua merasa Win-Win-Solution­ tercapai. By the way menurut ilmu Negosiasi yang pernah saya pelajari, Bullshit! Yang ada hanyalah Win-Lose-Solution, harus ada satu pihak yang rela berkorban, meskipun sedikit.

Terlepas dari ada atau tidaknya pihak yang merasa berkorban dalam kasus saya ini. Saya bersyukur karena Mi Vida berinisiatif untuk menanyakan langsung ke dalam rumah WO. Bwahahaha. Syukur Alhamdulillah. Harapan-harapan dan terpaan asa mulai membangkitkan semangat saya kembali. Mudah-mudahan di awal yang baik ini kami bisa memulai keluarga yang baik pula. Btw, keluarga saya belum melamarnya lho! Hehehe, Pernikahan yang aneh. But I like it.

Quote of the day

“Jangan pernah menyerah, sesungguhnya di titik menyerah itulah kegagalan kita dimulai!”

(Maret 2007, Countdown to the big Day; Ulil Nurasatya)

SHOCK! Bulan Safar ini kan sudah setengah jalan. Sebentar lagi selesai. Terus terang saja, memang itu yang saya rasakan. Surat Melalui Seluler (SMS) ini saya terima pukul 20:36 tanggal 1 Maret 2007 lalu. Entah apa yang ada dalam pikiran saya saat itu. Kaya’nya malahan nggak bisa mikir apa-apa deh. Saat itu saya sedang menulis sebuah artikel yang rencananya akan saya masukkan dalam Blog ini. Baru sepuluh menit mata ini menatap monitor. Telinga saya sudah terusik teriakan telepon genggam saya dari balik pintu kamar. Ternyata itu SMS dari Mi Vida.

Segala ide, bahan, dan imajinasi yang ada dan siap tumpah dari otak ini ke dalam artikel mendadak menguap! Selamat! Itu yang saya pikirkan pertama kali. Ini adalah masalah pertama saya dalam menyongsong hidup berkeluarga. Matikan komputer. Itu saja yang bisa saya lakukan. Percuma, pikiran kosong, tidak mungkin menghasilkan ide bagus.

Hari inilah dimulainya masalah pertama saya. Yippiiee! Asyiik! Nggak usah heran. Hal ini memang sudah saya perkirakan jauh sebelumnya. Jadi tidak ada hal yang harus dibesarkan. Sudah sangat wajar, untuk bisa naik kelas, seorang murid haruslah diuji apakah Ia layak atau tidak untuk menempati kelas berikutnya. Ujian kali ini, terus terang sangatlah menarik. Kalau saya mau mengakui, ini adalah masalah terberat saya selama saya hidup. Bukan, bukan masalah SMSnya. Tapi hari-hari berikutnyalah yang sangat menarik. Hihihi. Saya nggak sabar melanjutkan petualangan ini.

Quote of the day:

“Mau langsung lari! Enak aja, belajar merangkak dulu dong! Nggak usah takut jatuh, justru itu akan membuat kita lebih kuat!”

(Maret 2007, Ulil Nurasatya)

Pencipta Superman keberatan atas penggunaan nama Kryptonite yang digunakan produsen perawatan rambut, Wella Corp. Soalnya perusahaan ini memakai nama itu untuk salah satu produknya, yakni gel rambut hijau. Pencipta Superman tak main-main, sehingga pihaknya mengajukan gugatan ke Pengadilan Distrik di Manhattan. “Pemakaian nama itu membuat lemah pahlawan kami,” begitu antara lain isi gugatan tersebut. Kryptonite dalam kisah Superman merupakan elemen dari rumah planet Superman. Untuk meyakinkan pengadilan, pencipta Superman menguraikan, kata Kryptonite sudah mulai digunakan tahun 1943 dalam siaran radio dan menjadi begitu terkenal tahun 1945.

Di bulan Februari 1657, sebuah upacara kecil dilakukan di kota Tokyo, untuk menolak bala. Dalam upacara kecil itu, seorang pendeta bermaksud membakar sebuah Kimono, yang dianggap membawa sial. Kimono tersebut telah dimiliki oleh tiga orang anak perempuan yang semuanya meninggal sebelum sempat mengenakannya. Upacara ini tidak akan tercatat dalam sejarah, bila tidak ada buntutnya. Saat kimono tersebut dibakar, angin kencang berhembus dan api menyebar ikut melahap kuil tempat upacara dilakukan. Tidak berhenti di situ, api ikut menghancurkan hampir tiga perempat bagian kota Tokyo.

Tercatat 300 kuil ikut terbakar, ditambah 500 bangunan besar, 9.000 toko, dan 61 jembatan. Korban yang jatuh dalam kebakaran besar tersebut mencapai sekitar 100.000 orang. Semua karena kimono pembawa sial.